William Blake (Blooms Major Poets)

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About the Author Largely unrecognized during his lifetime, William Blake was a visionary English poet, painter, and printmaker.

Essay on The Mental Traveller by William Blake

Love that never told can be? Lawrence and Sigmund Freud he hoped to encourage us to exalt our human potential. And so, Bloom entered the visionary company of critics in order to do nothing less than shape his own canon of what is truly great in literature.

In the past decade, Bloom has attempted to define the entire "Western Canon," first in his eponymous book and subsequently in the more concentrated but farther-reaching tome "Genius. Ever a vigilant warrior in the culture wars, Bloom valiantly defends the value of intrinsic excellence in selecting the poems: "What makes one poem better than another?

William Blake's Poetry

The question, always central to the art of reading poetry, is more crucial today than ever before, since extrapoetic considerations of race, ethnicity, gender, sexual orientation, and assorted ideologies increasingly constitute the grounds for judgment in the educational institutions and the media of the English-speaking world. With a typical mixture of humility and sure-footed grandeur, Bloom describes "The Best Poems of the English Language" as "the anthology I've always wanted to possess.

Poetry that stands the test of time -- and Harold Bloom

It reflects sixty years of deep and passionate reading, going back to my love of William Blake and Hart Crane , of William Shakespeare and John Milton , that vitalized my life from my twelfth year onward. Aesthetic, moral and intellectual judgment are superbly blended to produce a volume uncommonly valuable to all who appreciate poetry and know that no matter how much they know and love it, there are always greater understandings just over the horizon.

In a parallel to Leonard Bernstein 's insight into the inevitability of Beethoven's music, Bloom points to that quality as key to the greatness of a fine poem's structure. He is frank in avowing that he very much values difficulty in poetry: "Greatness in poetry depends upon splendor of figurative language and on cognitive power, or what Emerson terms 'meter-making argument.

Possessed of the highest critical standards and capabilities himself, he offers in his introduction to this anthology some splendid opportunities for the reader to learn how to distinguish gold from dross. With admirable succinctness and ingenuity, he lays out the complex standards by which such judgments can be made and he even provides examples of works that make the grade along with ones that don't.

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Similarly, Bloom's headnotes to authors and poems are for the most part models of enlightened, spirited literary evaluations. He is delightfully honest and up-front about his tastes, not afraid to distance himself from the common admiration of Matthew Arnold or T.

In the same year, Hamlet: Poem Unlimited was published, an amendment to Shakespeare: Invention of the Human written after he decided the chapter on Hamlet in that earlier book had been too focused on the textual question of the Ur-Hamlet to cover his most central thoughts on the play itself. Some elements of religious criticism were combined with his secular criticism in Where Shall Wisdom Be Found , and a more complete return to religious criticism was marked by the publication of Jesus and Yahweh: The Names Divine in Throughout the decade he also compiled, edited and introduced several major anthologies of poetry.

Bloom began a book under the working title of Living Labyrinth , centering on Shakespeare and Whitman, which was published in as The Anatomy of Influence: Literature as a Way of Life. In , Bloom credited Northrop Frye as his nearest precursor. He told Imre Salusinszky in "In terms of my own theorizations I purchased and read Fearful Symmetry a week or two after it had come out and reached the bookstore in Ithaca, New York.

It ravished my heart away. I have tried to find an alternative father in Mr. Kenneth Burke , who is a charming fellow and a very powerful critic, but I don't come from Burke, I come out of Frye. However, in his Anatomy of Influence , he wrote "I no longer have the patience to read anything by Frye" and nominated Angus Fletcher among his living contemporaries as his "critical guide and conscience" and elsewhere that year recommended Fletcher's Colors of the Mind and The Mirror and the Lamp by M.

Bradley , and Samuel Johnson , describing Johnson in The Western Canon as "unmatched by any critic in any nation before or after him". Abrams had upon him in his years at Cornell University. Bloom's theory of poetic influence regards the development of Western literature as a process of borrowing and misreading.

Writers find their creative inspiration in previous writers and begin by imitating those writers in order to develop a poetic voice of their own; however, they must make their own work different from that of their precursors. As a result, Bloom argues, authors of real power must inevitably "misread" their precursors' works in order to make room for fresh imaginings. Observers often identified Bloom with deconstruction in the past, but he himself never admitted to sharing more than a few ideas with the deconstructionists. He told Robert Moynihan in , "What I think I have in common with the school of deconstruction is the mode of negative thinking or negative awareness, in the technical, philosophical sense of the negative, but which comes to me through negative theology There is no escape, there is simply the given, and there is nothing that we can do.

Bloom's association with the Western canon has provoked a substantial interest in his opinion concerning the relative importance of contemporary writers. In the late s, Bloom told an interviewer: "Probably the most powerful living Western writer is Samuel Beckett.

Useful Books for the Study of William Blake

He's certainly the most authentic. After Beckett's death in , Bloom has pointed towards other authors as the new main figures of the Western literary canon. Concerning British writers: " Geoffrey Hill is the strongest British poet now active", and "no other contemporary British novelist seems to me to be of Iris Murdoch 's eminence". Of American novelists, he declared in that "there are four living American novelists I know of who are still at work and who deserve our praise".

He has added to this estimate the work of John Crowley , with special interest in his Aegypt Sequence and novel Little, Big saying that "only a handful of living writers in English can equal him as a stylist, and most of them are poets By the s, he regularly named A. Ammons along with Ashbery and Merrill, and he has lately come to identify Henri Cole as the crucial American poet of the generation following those three.

He has expressed great admiration for the Canadian poets Anne Carson , particularly her verse novel Autobiography of Red, and A. Moritz , whom Bloom calls "a true poet. Bloom's introduction to Modern Critical Interpretations: Thomas Pynchon's Gravity's Rainbow features his canon of the "twentieth-century American Sublime", the greatest works of American art produced in the 20th century. Playwright Tony Kushner sees Bloom as an important influence on his work. For many years, Bloom's writings have drawn polarized responses, even among established literary scholars.

Bloom has been called "probably the most celebrated literary critic in the United States" [47] and "America's best-known man of letters".

About the Book

James Wood has described Bloom as "Vatic, repetitious, imprecisely reverential, though never without a peculiar charm of his own—a kind of campiness, in fact—Bloom as a literary critic in the last few years has been largely unimportant. The wind blows and they will go away There's nothing to the man I don't want to talk about him". In the early 21st century, Bloom has often found himself at the center of literary controversy after criticizing popular writers such as Adrienne Rich , [52] Maya Angelou , [53] and David Foster Wallace.

In author Naomi Wolf wrote an article for New York Magazine accusing Harold Bloom of a sexual "encroachment" more than two decades earlier, by touching her thigh. She said that what she alleged Bloom did was not harassment, either legally or emotionally, and she did not think herself a "victim", but that she had harbored this secret for 21 years. Explaining why she had finally gone public with the charges, Wolf wrote, "I began, nearly a year ago, to try—privately—to start a conversation with my alma mater that would reassure me that steps had been taken in the ensuing years to ensure that unwanted sexual advances of this sort weren't still occurring.

I expected Yale to be responsive.

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After nine months and many calls and e-mails, I was shocked to conclude that the atmosphere of collusion that had helped to keep me quiet twenty years ago was still intact—as secretive as a Masonic lodge. I call her Dracula's daughter, because her father was a Dracula scholar. I have never in my life been indoors with Dracula's daughter.

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  8. When she came to the door of my house unbidden, my youngest son turned her away. Once, I was walking up to campus, and she fell in with me and said, 'May I walk with you, Professor Bloom? Monson , known to his followers as 'prophet, seer and revelator,' is indistinguishable from the secular plutocratic oligarchs who exercise power in our supposed democracy". From Wikipedia, the free encyclopedia. For the screenwriter, see Harold Jack Bloom. Harold Bloom should not be confused with American philosopher Allan Bloom.

    Works (39)

    Shelley's Mythmaking. New Haven: Yale University Press, Garden City, N.

    Ithaca: Cornell University Press, The Literary Criticism of John Ruskin. New York: DoubleDay, Walter Pater: Marius the Epicurean ; edition with introduction. New York: New American Library, Romanticism and Consciousness: Essays in Criticism. New York: Norton, New York: Oxford University Press, Chicago: University of Chicago Press, New York: Oxford University Press, ; 2d ed. A Map of Misreading. Kabbalah and Criticism. Figures of Capable Imagination. New York: Seabury Press, Wallace Stevens: The Poems of our Climate. Ithaca, N. Deconstruction and Criticism.

    The Flight to Lucifer: Gnostic Fantasy. New York: Vintage Books, The Breaking of the Vessels. New Haven: Henry R. Schwab, Cambridge, Mass. San Francisco: HarperSanFrancisco, New York: Harcourt Brace, New York: Riverhead Books, Shakespeare: The Invention of the Human. New York:

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