Viola da Gamba Sonata - Piano Score


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The cello sings a brooding and melancholy meditation into which the piano makes the briefest of intrusions.

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But those intrusions bring whiffs of order into this bleak world, tiny glimpses of consonance and clarity amid the darkness. By complete contrast, the Presto is a phantasmagoric rush, a perpetual-motion movement that is broken by abrasive, assaultive episodes. The cello opens with seemingly-endless ostinato-figures, and into this rush the piano explodes like a series of pistol shots; along the way the music is driven by almost mindless little tunes full of manic energy.

Yet there are some wonderful sounds in this percussive movement, and it drives to a sonorous climax. Longer than the first two movements combined, the concluding Largo incorporates some of the spirit and the music of both those movements. At the end, its energy spent, the sonata drifts into silence.

Wanda was a pianist, and—as a gift to Wanda and her father Chopin composed a polonaise for the two of them to play together. It is nothing more than a glittering trifle for the salon, for ladies. I wanted Princess Wanda, the daughter of the cello-playing Prince, to learn it. She is still very young— perhaps seventeen—and beautiful.

As its name implies, a polonaise is of Polish origin. In its original form, it was in triple time and at a moderate tempo, and it could be sung or danced as part of ceremonial processions. By the eighteenth century it had become a dance form, and in his thirteen polonaises for piano Chopin transformed it into a brilliant and fast dance fired by his intense national feelings. Here he makes it a pleasing display piece for cello and piano.

A lengthy introduction, full of long runs for the piano, eventually grows quite animated and leads into the Alla Polacca , which Chopin marks Allegro con spirito.


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Chopin may mark the piano part elegantamente near the start, but soon he is reminding the duo to play con forza and brillante. Learn more and set cookies Close. Digital Sheet Music. Create a playlist. Public Not listed Private. Other german artists. Connect to add to a playlist. Add Videos on this page Add a video related to this sheet music. This service works with Youtube, Dailymotion. Share this page Free-scores. Audio and video players are included.

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You are not connected, choose one of two options to submit your comment: Login:. Follow this composer Be informed by email for any addition or update of the sheet music and MP3 of this artist. But those intrusions bring whiffs of order into this bleak world, tiny glimpses of consonance and clarity amid the darkness. By complete contrast, the Presto is a phantasmagoric rush, a perpetual-motion movement that is broken by abrasive, assaultive episodes. The cello opens with seemingly-endless ostinato-figures, and into this rush the piano explodes like a series of pistol shots; along the way the music is driven by almost mindless little tunes full of manic energy.

Yet there are some wonderful sounds in this percussive movement, and it drives to a sonorous climax. Longer than the first two movements combined, the concluding Largo incorporates some of the spirit and the music of both those movements.

3 Sonatas for Viola da Gamba and Harpsichord, BWV 1027-1029 (Bach, Johann Sebastian)

At the end, its energy spent, the sonata drifts into silence. Wanda was a pianist, and—as a gift to Wanda and her father Chopin composed a polonaise for the two of them to play together. It is nothing more than a glittering trifle for the salon, for ladies. I wanted Princess Wanda, the daughter of the cello-playing Prince, to learn it. She is still very young— perhaps seventeen—and beautiful.

As its name implies, a polonaise is of Polish origin. In its original form, it was in triple time and at a moderate tempo, and it could be sung or danced as part of ceremonial processions. By the eighteenth century it had become a dance form, and in his thirteen polonaises for piano Chopin transformed it into a brilliant and fast dance fired by his intense national feelings. Here he makes it a pleasing display piece for cello and piano.

A lengthy introduction, full of long runs for the piano, eventually grows quite animated and leads into the Alla Polacca , which Chopin marks Allegro con spirito. Chopin may mark the piano part elegantamente near the start, but soon he is reminding the duo to play con forza and brillante. This is exciting music, and it drives to a grand close.

Viola da Gamba Sonata - Piano Score Viola da Gamba Sonata - Piano Score
Viola da Gamba Sonata - Piano Score Viola da Gamba Sonata - Piano Score
Viola da Gamba Sonata - Piano Score Viola da Gamba Sonata - Piano Score
Viola da Gamba Sonata - Piano Score Viola da Gamba Sonata - Piano Score
Viola da Gamba Sonata - Piano Score Viola da Gamba Sonata - Piano Score
Viola da Gamba Sonata - Piano Score Viola da Gamba Sonata - Piano Score
Viola da Gamba Sonata - Piano Score Viola da Gamba Sonata - Piano Score

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